Movie |
California | Hairdresser
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Best Cinematography | 2002 | Roger
Best Actor | 2002 | Billy Bob
Best Cinematography | 2002 | Roger
Best Actor | 2002 | Billy Bob
Best Cinematography | 2002 | Roger
Top Ten Films of the Year | 2002
Best Actor | 2002 | Billy Bob
Best Actor For and | 2002
Best Cinematography | 2002 | Roger
Best Cinematography | 2002 | Roger
Cinematographer of the Year | 2002 | Roger
Outstanding Achievement in Cinematography in Theatrical Releases | 2002 | Roger
Best Foreign Actor | 2002 | Billy Bob
Best Actor | 2001 | Billy Bob
Best Cinematography | 2001 | Roger
Best Cinematography | 2001 | Roger
Best Cinematography | 2001 | Roger
2001 | Joel
Best Cinematography in a Feature Film | 2001 | Roger
Best Cinematography | 2001 | Roger
Best Foreign Film Miglior Film Straniero | 2002 | Joel
2002 | Joel
Best Cinematography | 2002 | Roger
Best Screenplay Motion Picture | 2002 | Ethan
Best Motion Picture Drama | 2002
Best Performance by an Actor in a Motion Picture Drama | 2002 | Billy Bob
Best Writing Screenplay Written Directly for the Screen | 2002 | Joel
Best Actor | 2002 | Billy Bob
Best American Film rets amerikanske film | 2003 | Ethan
Best American Film Bedste amerikanske film | 2003 | Joel
Best Foreign Film | 2003
Best Foreign Film Mejor Pelcula Extranjera | 2003 | Ethan
Best Audio Commentary New Release | 2003 | Ethan
Featured Actor of the Year Male Movies | 2002 | Tony
Actor of the Year Male Movies | 2002 | Billy Bob
Movie of the Year | 2002
Best Director | 2002 | Joel
Best Supporting Actor | 2002 | Tony
Best Original Screenplay | 2002 | Ethan
Best Picture | 2002
Best Actor in a Leading Role | 2002 | Billy Bob
Best Screenplay Original | 2002 | Ethan
Best Cinematography | 2002 | Roger
Best Production Design | 2002 | Dennis
Best Supporting Actress | 2002 | Frances
Best Actor | 2002 | Billy Bob
Best ActionAdventureThriller Film | 2002
Best Screenplay Written Directly for the Screen | 2002 | Ethan
Best Motion Picture | 2002 | Joel
Best Actor | 2002 | Billy Bob
Best Foreign Film Meilleur film tranger | 2002 | Joel
Best Actor | 2002 | Billy Bob
Period or Fantasy Film | 2002 | Dennis
Best Cinematography | 2002 | Roger
Best Original Screenplay | 2001 | Ethan
Best Cinematographer | 2001 | Roger
Budget 20,000,000 USD
Joel Coen and Ethan Coen came up with the story while working on The Hudsucker Proxy (1994). While filming the scene in the barbershop, the Coens saw a prop poster of 1940s haircuts and began developing a story about the barber who cut the hair in the poster.
Because he trusted the quality of Joel Coen and Ethan Coen's work, Billy Bob Thornton agreed to do the movie before even reading the script.
In his 2017 book, The Coen Brothers, Ian Nathan reports that Joel Coen called Billy Bob Thornton to say the brothers had a film for him. What's it about, Thornton asked. "It's about a barber who wants to be in the dry-cleaning business," was the reply. "I'll take it," said Thornton, who had been a long-time fan of the Coens, having famously remarked, "They just don't suck."
The movie was filmed in color, then printed in black and white by special processing. However, at least one print was released with the first reel in normal color due to an error at the lab.
Billy Bob Thornton jokingly made it look like Ed Crane had an erection in one of the scenes where he's watching Birdy Abundas playing the piano. Only one of the prop guys noticed during production. When the Coen Brothers later found out, they made it clear that Ed would not be aroused in the scene.
"Reidenschneider: They got this guy, in Germany. Fritz Something-or-other. Or is it? Maybe it's Werner. Anyway, he's got this theory, you wanna test something, you know, scientifically - how the planets go round the sun, what sunspots are made of, why the water comes out of the tap - well, you gotta look at it. But sometimes you look at it, your looking changes it. Ya can't know the reality of what happened, or what would've happened if you hadn't-a stuck in your own goddamn schnozz. So there is no "what happened"? Not in any sense that we can grasp, with our puny minds. Because our minds... our minds get in the way. Looking at something changes it. They call it the "Uncertainty Principle". Sure, it sounds screwy, but even Einstein says the guy's on to something."
"[last lines] Ed Crane: I don't know where I'm being taken. I don't know what I'll find, beyond the earth and sky. But I'm not afraid to go. Maybe the things I don't understand will be clearer there, like when a fog blows away. Maybe Doris will be there. And maybe there I can tell her all those things they don't have words for here."
