Movie
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Budget 1,000,000 USD
Possibly one of the only narrative fiction films in history in which the opening shot is a picture of the film's own poster.
The scene where the mom and daughter are dyeing and painting Easter eggs, with the camera moving back and forth along a kitchen table, lasts over 5 minutes.
Kristine DeBell, who was on the cover of Playboy Magazine in 1976, makes a reference when her character tells the daughter, who was dressed as an Easter Bunny when a boy she likes came over, "I was almost a bunny when I met your dad." The daughter asks what she means by that, and DeBell's character, with a knowing look, replies in a cautionary tone, "You'll never be a bunny!"
In about 90% of her scenes, Lisa London has a bad case of laryngitis. What makes it amusing is that the movie basically takes place in a single day, and in some scenes her voice is perfectly fine, before and after her voice being completely hoarse. And it's not until near the end that she finally realizes that she "thinks" she's coming down with something.
Not only is the movie's poster shown in the opening credits, but it's part of the story: Kristine DeBell's character, a mystery writer, gets a color printout (the movie's poster) of a children's book she needs to write titled, The Easter Bunny Puppy. And the dog (not puppy) in this movie comments that the puppy on the poster is too corny to be realistic. So the movie tries to be more grounded and less corny than its very own movie poster.
