Movie |
Global Threat | Space Travel
Humans built huge engines on the surface of the earth to find a new home. But the road to the universe is perilous. In order to save earth, young people once again have to step forward to start a race against time for life and death.
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Humans built huge engines on the surface of the earth to find a new home. But the road to the universe is perilous. In order to save earth, young people once again have to step forward to start a race against time for life and death.
Influential Filmmaker of the Year | 2023 | Frant Gwo
Director of Media Focus of the Year | 2023 | Frant Gwo
Top Ten Films | 2023 | Frant Gwo
Best Director | 2023 | Frant Gwo
Film of the Year | 2023 | Frant Gwo
Best Film | 2023 | Frant Gwo
Film of the Year | 2023 | Frant Gwo
Most Popular Supporting Actor | 2023 | Ning Li
Best Actor | 2023 | Wu Jing
Best Film | 2023 | Frant Gwo
Director of the Year | 2023 | Frant Gwo
Best Dramatic Presentation Long Form | 2024 | Wang Hongwei
Top Ten Films | 2023 | Frant Gwo
Best Adapted Screenplay | 2023 | Frant Gwo
Best Visual Effects | 2024 | Ahdee Chiu
Budget 73,800,000 USD
Box Office Collection 604,400,000 USD
The film also involves a lot of overseas footage. Due to COVID-19, the crew was inconvenienced to go abroad, so an overseas filming team was set up in four countries: the United States, France, Iceland and Colombia for location shooting. The creative team used live-streaming technology to transmit the overseas shooting images to the Qingdao shooting site for viewing in real time, so that the director could guide the foreign shooting work in real time while taking care of the domestic shooting. With the help of cloud data transmission technology, the material shot overseas can be uploaded and downloaded in real time through the cloud server platform in the form of small files and original filming files, which is convenient for domestic post-production.
The Wandering Earth II live-action studio area than the first 10 times larger, reaching 1 million square meters, equivalent to 126 soccer fields.
In order to allow the audience to watch the shocking screen image in the theater, Frant Gwo chose Hawk 65 Vintage 74 commemorative 1.3X anamorphic widescreen lens. In addition, for the space and moon parts of the film, Frant Gwo chose the ARRI Vintage 765 spherical lens, a representative of 65MM film production in the film era.
The film is a prequel to the 2019 film The Wandering Earth, which is based on the short story of the same name by Liu Cixin, who serves as the film's producer.
