Movie |
Town | Paranoia
Trying to escape her broken past, Sarah O’Neill is building a new life on the fringes of a backwood rural town with her young son Chris. A terrifying encounter with a mysterious neighbour shatters her fragile security, throwing Sarah into a spiralling nightmare of paranoia and mistrust, as she tries to uncover if the disturbing changes in her little boy are connected to an ominous sinkhole buried deep in the forest that borders their home.
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Trying to escape her broken past, Sarah O’Neill is building a new life on the fringes of a backwood rural town with her young son Chris. A terrifying encounter with a mysterious neighbour shatters her fragile security, throwing Sarah into a spiralling nightmare of paranoia and mistrust, as she tries to uncover if the disturbing changes in her little boy are connected to an ominous sinkhole buried deep in the forest that borders their home.
Best Editing | 2020
Best Director Film | 2020
Best Actress in a Lead Role Film | 2020
Best Film | 2020
Best Production Design | 2020
Best Cinematography | 2020
Best Original Music | 2020
Best First Feature | 2020
Legion M Breakout Director | 2019
Best Irish Film | 2019
Best Feature Film | 2019
Best Film | 2019
Comptition internationale | 2019
Box Office Collection 3,373,474 USD
The film draws from elements of Irish folklore such as the concept of Changelings (children being replaced by fairy folk) and Fairy Forts (the ruins of neolithic tombs scattered all over Ireland that are associated with many local traditions and folklore and are often thought to be portals to the Otherworld).
There are several nods to The Shining in this movie, including the score itself, the overhead shot of the car driving, the pattern on the wallpaper after Sarah finishes it and someone dragging an unconscious person on the floor.
The movie opens with the sound of a singular piano note. The last scene in the movie ends with that exact same piano note which is then repeated. This "copied" note mirrors the replication theme of the movie and the fear of the mother that her saved son could be just another clone in the end.
"Sarah O'Neill: Something's not right with him."
"Chris O'Neill: Dad would've killed it for me. Sarah O'Neill: I'm not Dad."
