Movie |
Hijacking Of Train | Child Labour
In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer, a train that travels around the globe via a perpetual-motion engine.
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In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer, a train that travels around the globe via a perpetual-motion engine.
Best Supporting Actress | 2015 | Tilda
Actress Defying Age and Agism For | 2015 | Tilda
Actress Defying Age and Agism | 2015 | Tilda
Best Supporting Actress | 2015 | Tilda
Best Asian Film | 2015 | Bong
Best Supporting Actress International Competition For | 2015
Best Supporting Actress International Competition | 2015 | Tilda
Best Supporting Actress | 2015 | Tilda
Best Director | 2014 | Bong
Best Picture Not Released in | 2014
Best Supporting Actress | 2014 | Tilda
Best Supporting Actress | 2014 | Tilda
Top Ten Independent Films | 2014
Best Horror or SciFi Film | 2014
Best Adapted Screenplay | 2014 | Kelly
Best Art Direction | 2013 | Ondrej
Best Director | 2013 | Bong
Best Film | 2013 | Bong
Best Cinematography | 2013 | Hong
Best Art Direction | 2013 | Ondrej
Best Screenplay | 2013 | Kelly
Best Director of the Year | 2013 | Bong
Best Actor of the Year For and | 2013
Best Actor of the Year | 2013 | Song
Best Film | 2013 | Bong
Best Director | 2013 | Bong
Best Cinematography | 2013 | Hong
Films of the Year | 2013
2013 | Bong
For | 2013
Best Production Design | 2015
Best Supporting Actress | 2015 | Tilda
Best Writing Screenplay Based on Material from Another Medium | 2015
Best Actress in a Supporting Role | 2015 | Tilda
Best ActionAdventure Film | 2015
Outstanding Supporting Actress Motion Picture | 2015 | Octavia
Best Adapted Screenplay | 2015 | Kelly
Actor of the Year For and | 2015
Best Picture | 2015
Actor of the Year | 2015 | Tilda
Best Supporting Actress | 2015 | Tilda
Best Production Design | 2015 | Ondrej
Best Editing | 2015
Best Supporting Actress | 2015 | Tilda
Best Art Direction | 2015 | Beatrice
Best SciFiHorror Movie | 2015
Best Supporting Actress Melhor Atriz Secundria | 2015 | Tilda
Best Picture | 2015
Best Adapted Screenplay | 2015
Best Production Design | 2015 | Catherine
Best Supporting Actress | 2015 | Tilda
Best Supporting Actress | 2015 | Tilda
Best Adapted Screenplay | 2015 | Kelly
Best Production Design | 2015 | Ondrej
Best Supporting Actress | 2015 | Tilda
Best Adapted Screenplay | 2015 | Bong
Best Makeup and Hairstyling | 2015
Best Production Design | 2015 | Ondrej
Best Sound Mixing | 2015 | Mark
Best Sound Editing | 2015
Best Adapted Screenplay | 2015 | Kelly
Best Actress in a Supporting Role | 2015 | Tilda
Best Sound Editing Mixing | 2015 | Terry
Best Supporting Actress | 2015 | Tilda
Best Screenplay Adapted | 2015 | Kelly
Best Costume Design | 2015 | Catherine
Best Production Design | 2015 | Beatrice
Best Film | 2014
Best Director | 2014 | Bong
Best Screenwriter | 2014 | Kelly
Best Production Designer | 2014 | Ondrej
Best Costume Designer | 2014 | Catherine
Best Film | 2014
Best Film | 2014
Best Supporting Actress | 2014 | Ko
Most Popular Actress | 2014 | Ko
Best Art DirectionProduction Design | 2014
Best Film | 2014
Best Supporting Actress | 2014 | Tilda
Most Underrated Movie of the Year | 2014
Best Supporting Actress of the Year | 2014 | Tilda
Best Picture | 2014
Best Supporting Actor | 2014 | Song
Best Adapted Screenplay | 2014 | Kelly
Best Editing Miglior montaggio | 2014
Best Art Direction Miglior scenografia | 2014 | Ondrej
Best Makeup Miglior trucco | 2014 | Jeremy
Best Special Effects Migliori effetti speciali | 2014 | Pavel
Best Picture | 2014
Best Production Design | 2014 | Ondrej
Best Film | 2014 | Bong
Best Supporting Actress | 2014 | Tilda
Best Screenplay Adapted | 2014 | Kelly
Best Production Design | 2014 | Ondrej
Best Art Direction | 2014
Best Film | 2014 | Bong
Best Supporting Actress | 2014 | Tilda
Best Supporting Actress | 2014 | Tilda
Best Supporting Actress For and | 2014
Best Director | 2014 | Bong
Best Supporting Actress | 2014 | Tilda
Film Composer of the Year For and | 2014
Film Composer of the Year | 2014 | Marco
Best Cinematography | 2013 | Hong
Best Director | 2013 | Bong
Best Editing | 2013
Best Sound | 2013
Best Supporting Actor | 2013 | Song
Best Supporting Actress | 2013 | Tilda
Best Film | 2013
Best Technical Award | 2013
Best Supporting Actress | 2013 | Ko
Best Cinematography | 2013 | Hong
Best Film of the Year | 2013
Best Director | 2013 | Bong
Best Supporting Actress | 2013 | Ko
Best Screenplay | 2013 | Kelly
Best Cinematography | 2013 | Hong
Best Costume Design | 2013 | Catherine
Best Music | 2013 | Marco
Budget 39,200,000 USD
Box Office Collection 86,758,912 USD
Director Bong Joon Ho often clashed with producer Harvey Weinstein, who frequently interfered in order to demand "his" version of the film. Among the many requests, the producer insisted on having the fish scene removed in favor of more action. Bong, who considered it his favorite shot in the film, was adamant to keep it in. He told the producer that he wanted to keep the shot for a personal reason, as a tribute to his late father, who was a fisherman. Upon hearing this, Weinstein said that family is very important to him, so he granted Bong to keep the shot. In an interview, the director said "It was a fucking lie. My father was not a fisherman."
There was no additional lighting used while filming the torchlight fight scene.
Writer and director Bong Joon Ho had reservations about casting Chris Evans in the lead role, because of his muscular physique. He felt that as a resident of the extremely poverty-stricken tail section, Chris should not be especially physically fit. Costuming and careful camera angles kept Evans' physique from showing.
Writer and director Bong Joon Ho explained that the protein block was made by combining seaweed, tangle, sugar, and gelatin. Jamie Bell hated it, while Tilda Swinton liked it.
Sir John Hurt's character's name, Gilliam, is an homage to Terry Gilliam, a director whose filmography includes similarly bleak science fiction, fantasy, and end-of-the-world titles, such as Brazil (1985), 12 Monkeys (1995), and The Zero Theorem (2013).
"Mason: Order is the barrier that holds back the flood of death. We must all of us on this train of life remain in our allotted station. We must each of us occupy our preordained particular position. Would you wear a shoe on your head? Of course you wouldn't wear a shoe on your head. A shoe doesn't belong on your head. A shoe belongs on your foot. A hat belongs on your head. I am a hat. You are a shoe. I belong on the head. You belong on the foot. Yes? So it is. In the beginning, order was proscribed by your ticket: First Class, Economy, and freeloaders like you. Eternal order is prescribed by the sacred engine: all things flow from the sacred engine, all things in their place, all passengers in their section, all water flowing. all heat rising, pays homage to the sacred engine, in its own particular preordained position. So it is. Now, as in the beginning, I belong to the front. You belong to the tail. When the foot seeks the place of the head, the sacred line is crossed. Know your place. Keep your place. Be a shoe."
"Curtis: You ever been to the tail section? Do you have any idea what went on back there? When we boarded? It was chaos. Yeah, we didn't freeze to death, but we didn't have time to be thankful. Wilford's soldiers came and they took everything. A thousand people in an iron box. No food, no water... After a month, we ate the weak... You know what I hate about myself? I know what people taste like. I know that babies taste best... There was a woman. She was hiding with her baby. And some men with knives came. They killed her and they took her baby. And then an old man-no relation, just an old man-stepped forward and he said, "Give me the knife." And everyone thought he'd kill the baby himself. But he took the knife and he cut off his arm. And he said, "Eat this, if you're so hungry. Eat this, just leave the baby." I had never seen anything like that. And the men put down their knives... You've probably guessed who that old man was. That baby was Edgar. And I was the man with the knife. I killed Edgar's mother... And then one by one, other people in the tail section started cutting off arms and legs and offering them. It was like a miracle. And I wanted to. I tried, it's... A month later, Wilford's soldiers brought those protein blocks. We've been eatin' that shit ever since. 18 years I've hated Wilford. 18 years I've waited for this moment. And now I'm here... Open the gate. Please."
