Movie |
Piano | New York City
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Best Performance by a Supporting Actor in a Motion Picture | 1982 | Moses
Best Music | 1981 | Randy
Best Cinematography | 1982 | Miroslav
Best Writing Screenplay Based on Material from Another Medium | 1982 | Michael
Best Music Original Score | 1982 | Randy
Best Costume Design | 1982 | Anna Hill
Best Actor in a Supporting Role | 1982 | Howard
Best Art DirectionSet Decoration | 1982 | John
Best Music Original Song | 1982 | Randy
Best Actress in a Supporting Role | 1982 | Elizabeth
Best Motion Picture Drama | 1982
Best Director Motion Picture | 1982 | Miloš
Best Actress in a Supporting Role Motion Picture | 1982 | Mary
Best Actor in a Supporting Role Motion Picture | 1982 | Howard
New Star of the Year in a Motion Picture | 1982 | Howard
Best Original Song Motion Picture | 1982 | Randy
Best Original Song | 1983 | Randy
Best Album of Original Score Written for a Motion Picture or Television Special | 1983 | Randy
Best Foreign Producer Migliore Produttore Straniero | 1982 | Dino De
Best Classic DVD | 2005
Best Drama Adapted from Another Medium | 1982 | Michael
Best Motion Picture | 1982
Best Supporting Actor | 1981 | Howard
James Cagney had been advised by his doctors and caregivers that making a film at this point in his life was very important for his health. The actor never flew, so he and his wife took an ocean liner to London, where his scenes were filmed. Despite his numerous infirmities, he stayed on-set during his fellow actors' close-ups to give them line readings.
Because of the presence of the ailing James Cagney, in what became his final big screen appearance, the movie was officially exempted from the long-running actors' strike of the early 1980s. It was the only production to receive that honor.
Jack Nicholson had to drop out of the film less than a month before filming began, leaving the producers without a name star. Director Milos Forman recruited James Cagney, who he had met the year before at a private dinner in Connecticut. He offered Cagney any part he wanted, including (facetiously) Evelyn Nesbitt.
This film reunited James Cagney, coming out of a 20-year retirement, with Pat O'Brien, his frequent co-star from the 1930s and 1940s. It was the last theatrical film for both of them.
James Cagney objected to saying "nigger" in reference to Walker, so "buck" was substituted.
"Coalhouse Walker Jr.: I read music so good, white folks think I'm fakin' it."
"Younger Brother: I design fireworks. That's my job. [the black anarchists laugh in derision] Younger Brother: . I can make bombs. [They stop laughing and take him seriously]"
