Movie |
Recording Studio | Blues Music
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7.8/10
IMDb2013 | Greg Freddy
Best Documentary Poster | 2014
Best Music Supervision for a Documentary | 2014
Best Compilation Soundtrack for Visual Media | 2014
Best Sound Editing Documentary Feature Film | 2014
2014 | Greg Freddy
2014 | Greg Freddy
Best Documentary Film | 2014
Best Documentary Film | 2014
2013 | Greg Freddy
Beats Per Second | 2013 | Greg Freddy
Best Documentary | 2013
Winner of the Grand Prize, Boulder International Film Festival, 2013.
"David Hood: When Duane came here, he was on the Wilson Pickett session that we did. Jimmy Johnson: There was always a slight problem when we would go out, all of us white boys with a black artist, that we'd get looks, okay? But there was nothing as bad as going out with a long-haired hippie with us white boys. They couldn't stand that, right? And so both of them stayed back. Gregg Allman: So, they went on lunch break and my brother went up to Wilson and he said, uh, "Man, why don't you cut 'Hey Jude', you know, that Beatles song?" Wilson Pickett: And at that point, I was mostly trying to create an original career Wilson Pickett, right? My songs. Rick Hall: Pickett and I, in unison, both said "Look, are you crazy? We're gonna cover the Beatles?" And, of course, Duane said "Exactly." Jimmy Johnson: While we were gone, Duane changed our whole session. When you get to the vamp, it goes into just an unbelievable groove. Duane Allman was playing such great guitar fills that something happened in that vamp. And all of a sudden, there was southern rock. That was the beginnings of the Allman Brother Band."
"Jimmy Johnson: I'm gonna tell you, working with Bob Seger was just magnificent, it really was. He was the kind of guy that he had no... ego. And "Mainstreet" is one of my really favorite cuts. Seger really put his heart in that one."