Movie |
Historical Documentary | Race Politics
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Best Documentary | 2018 | Raoul
Outstanding Arts Culture Documentary | 2019 | Sally Jo
Best Documentary | 2018
Best Documentary Local or International | 2018
Best Documentary Film Meilleur film documentaire | 2018 | Rémi
Best Documentary | 2018 | Raoul
Best Documentary | 2018
Best Documentary TV Spot | 2018
Best Documentary | 2017
The Don LaFontaine Award for Best Voice Over | 2017
Documentary of the Year | 2018
Documentary Film | 2017 | Raoul
Panorama | 2017 | Raoul
2017 | Raoul
Best Documentary | 2017 | Raoul
Feature Documentary Competition | 2017 | Raoul
Creative Documentaries Competition | 2017 | Raoul
DFCC Best Documentary | 2017 | Raoul
2017 | Raoul
Documentary | 2017
2017 | Raoul
2017 | Raoul
Best Documentary Feature | 2016 | Raoul
Best Writing | 2016 | Raoul
Best DocumentaryNonFiction Film | 2016
Best Documentary Feature | 2016 | Raoul
Best Documentary | 2016
Best Documentary | 2016
Best Documentary Film | 2016
Documentary | 2016 | Raoul
Best Documentary Feature | 2017
Best Documentary Film | 2017 | Raoul
Documentary | 2019
Best Documentary | 2019 | Rémi
Were changing section | 2018 | Raoul
Outstanding Documentary Feature | 2017 | Raoul
Best International Independent Film | 2017
Best Film Mejor Pelcula | 2017 | Raoul
Best Documentary | 2017
2017 | Raoul
Outstanding Achievement in Nonfiction Feature Filmmaking | 2017
Outstanding Achievement in Direction | 2017 | Raoul
Outstanding Achievement in Editing | 2017 | Alexandra
Outstanding Achievement in Original Music Score | 2017 | Aleksei
Best Documentary Film | 2017
Outstanding Directorial Achievement in Documentary | 2017 | Raoul
The International Competition | 2017 | Raoul
Best Documentary | 2017
Best Documentary | 2017 | Raoul
Documentary of the Year | 2017
Best Documentary Film | 2017
Documentary Feature | 2017
Best Documentary TV Spot | 2017
Outstanding Documentary Film | 2017
Human Rights in Cinema Competition | 2017 | Raoul
Best Film | 2017 | Raoul
Best Documentary | 2017 | Raoul
Best Documentary | 2017
Best NonFiction Film | 2017
Best Documentary Film | 2017
Best Documentary | 2017
Best Documentary | 2017 | Raoul
Best Film | 2017 | Raoul
Best Film | 2017 | Raoul
Best Documentary | 2017 | Raoul
Best Documentary | 2016
Best Documentary Feature Film | 2016 | Raoul
Best Documentary | 2016
Best Documentary | 2016
Best Documentary | 2016
Best Film | 2016 | Raoul
Best Feature | 2016
2016 | Raoul
Best Documentary | 2016
Best Documentary | 2016
Budget 1,000,000 USD
Box Office Collection 7,123,919 USD
The film is based on James Baldwin's 30-page unfinished manuscript for a novel. In a way, it "finishes" the work by incorporating other interviews and writings by Baldwin, and expanding on the themes through archival footage.
The film was deemed Best Documentary by the Los Angeles Film Critics Association, took home the People's Choice Award from the Toronto International Film Festival and won a creative recognition award from the International Documentary Association, to name a few.
This was one of 15 films included on the shortlist for the best feature documentary Oscar.
The word "negro" is used 78 times in the film.
"James Baldwin: Not everything that is faced can be changed. But nothing can be changed until it has been faced. History is not the past. It is the present. We carry our history with us. We are our history. If we pretend otherwise, we literally are criminals."
"James Baldwin: You cannot lynch me and keep me in ghettos without becoming something monstrous yourselves. And furthermore, you give me a terrifying advantage. You never had to look at me. I had to look at you. I know more about you than you know about me."
